Sunday, September 09, 2012

Interview: LA Times

Joaquin Phoenix
Joaquin Phoenix takes unpredictable path in 'The Master' 
The actor adds a violent war veteran to his string of roles about troubled, dangerous men.

Johnny Cash in "Walk the Line," the ruthless emperor's son Commodus in "Gladiator," and now a violent, wayward World War II veteran, Freddie Quell, in Paul Thomas Anderson's "The Master": Does Joaquin Phoenix play dangerous, intense and troubled so well because it's not much of a stretch?

The actor has blurred the boundary between difficult professional and personal personas for years, cutting off photo shoots and appearing disdainful of interviewers. Most notably, there was his long dive into performance art in 2010 — in which he grew a shaggy beard, went monosyllabic in TV appearances and pretended to quit acting, delving into a world of debauchery to transform himself into a rapper for the film "I'm Still Here."

So it was a bit of a jolt to find Phoenix, 37, light, open and impish on the Chateau Marmont patio on a recent Saturday morning. Dressed in a rumpled light blue dress shirt, dark blue cords and heavy black boots that seem inappropriate for an 80-degree day, Phoenix came armed with a pack of American Spirit cigarettes, a lighter and a surprising sense of mischief.

Friday, September 07, 2012

‘The Master' Premieres At TIFF Tonight


As you may know, "The Master" will have its North American Premiere at the Toronto Film Festival tonight and Cigs & Vines will be there to cover it. I'm actually heading to the airport now but just wanted to give everybody a headsup that news will be a little slow on the site over the next few days but stay tuned to Twitter because we'll be writing about our adventures over there. Paul and co. will be in attendance and we're hoping to see more than a few of you at the beautiful Princess of Wales theatre at 9pm sharp. Have a good weekend everybody!

7 days until NY/LA.
14 days until Wide.

#THEMASTER70MM 

Stay tuned to Twitter for the latest news and updates. 

Tuesday, September 04, 2012

NYTimes Talks ‘The Master' With Joaquin Phoenix; 70mm NYC Tix Onsale Now

Early on, Mr. Phoenix said: “I told Paul I wasn’t going to self-modulate in any way. I wanted to just expose the id.” 
Today the NYTimes posted a great (but brief) interview with Joaquin Phoenix who talks about his brilliantly unhinged performance in "The Master."  Read the entire thing here. The Village Voice also sat down with Paul a few weeks back for a lengthy interview which was also published today. There are some minor spoilers (the ending is discussed in the next-to-last-paragraph on the last page) but it's a fantastic read and easily the best of the recent interviews. We've archived it here too in case you want to save it for later.

In other news, we received word directly from The Weinstein Company that "The Master"s 9/14 engagements in New York and LA will be exclusively in 70mm. In NYC, those theatres are The Angelika, Village East Cinema and AMC Lincoln Square and in LA the Arclight (with more theatres possibly to join.) Tickets are now onsale for opening day at Village East Cinema in NYC and opening weekend at the Arclight with tix going onsale for the other two within the next week or so.

#THEMASTER70MM 

See when "The Master" is playing at a theatre near you.

Stay tuned to Twitter and Facebook for the latest news and updates. 

Interview: Village Voice


Source: The Village Voice
September 4, 2012 | By Scott Foundas

Paul Thomas Anderson, The Master's Master
Talking 70mm, Joaquin Phoenix, and researching Scientology for his sixth and most anticipated film

"I've made six movies, and I feel like I'm only just finally figuring out how this business fucking works," Paul Thomas Anderson says on an unseasonably mild August afternoon in the Astoria section of Queens, where later tonight he will preview his latest film for an invited audience at the Museum of the Moving Image. The movie is The Master, Anderson's first in the five years since the Oscar-winning There Will Be Blood, and one of this year's most feverishly anticipated cinematic events—a must-see status attributable to Anderson's vaunted standing among serious film buffs, to the secretive nature of the production (at a time when we know far too much about most movies before we see them), and, mostly, to the film's subject matter: the early days of a self-help religion that bears more than a passing resemblance to L. Ron Hubbard's Church of Scientology.

Monday, September 03, 2012

‘The Master' Debuts In Venice To Rave Reviews; Watch The Press Conference, More


A bit earlier we told you that "The Master" had its official debut at the Venice Film Festival where the film picked up some rave reviews. Most critics seemed to agree that it's a dense and challenging but ultimately stunning achievement for Paul. Deadline says that the film has received the best score in a festival poll of over 20 critics so let's cross our fingers the film could pick up an award or two from the fest. We've started compiling the reviews here for easy clicking for after you've seen the film. For now here are a few highlights...

PTA Says ‘Inherent Vice' Is Next; Compares It To ‘Cheech & Chong'


It was a big news weekend for all things Paul Thomas Anderson as "The Master" had its official debut at the Venice Film Festival. We were out of town during the madness and tried to keep up with it as best we could but in case you weren't following along with us on Twitter, here's a rundown of what you missed.

Paul confirmed (for the first time) that he is indeed adapting Thomas Pynchon's "Inherent Vice" and spoke about the project to both Empire and ScreenDaily in interviews (via The Playlist). To refresh your memory, the logline for the 2010 novel reads like this (via Amazon).
Pynchon's deceptively lighthearted stab at detective fiction is a lazy jog through the brambles of stoned late '60s Southern California, with a half-cocked private eye named Doc Sportello, who specializes more in meandering than actual investigating. Freaks and straights talk past each other, their meanings eluding all attempts at mutual comprehension, and Ron McLarty channels Doc's slurred mumble expertly and vividly brings to life the novel's sun-soaked, druggy ambience.

Interview: Screen Daily

Source: Screen Daily 
3 September, 2012
| By Andreas Wiseman


Paul Thomas Anderson talks about the inspirations for the film, Joaquin Phoenix’s immersive acting style, shooting large format, and now adapting Thomas Pynchon’s Inherent Vice.
Paul Thomas Anderson’s hugely anticipated The Master, starring Joaquin Phoenix and Philip Seymour Hoffman, world-premiered in Venice on Saturday, and now heads to Toronto. Anderson’s first feature since 2007’s Oscar winner There Will Be Blood tells the story of a damaged soldier in post-WWII America who strikes up an unexpected friendship with the charismatic founder of a new religious cult.

Screen spoke to the director during a roundtable interview in Venice immediately after the film’s world premiere.