‘Hard Eight' Archives Completed

Over the next week, the entire Paul Thomas Anderson archives that have been collected over the last 12+ years will be uploading to our website. The first archive completed is Hard Eight, featuring endless information and multimedia including:

EXCLUSIVE HARD EIGHT ARCHIVES / Cigarettes & Red Vines  

DVD DETAILS
Domestic & Forgein Releases, Art and Technical Specifications

ARTWORK
Posters, print ads & forgein/format specific box art

PHOTO GALLERY
Photos from the premiere of the film & site-exclusive images from the official Rysher Entertainment press kit for Hard Eight

PRESS & RECOGNITION
Features Production Notes transcribed from the press kit, Awards & Nominations & Top Ten Critics Lists.

10 DELETED SCENES
Transcribed from the original draft of the Hard Eight Screenplay.

There is still a little more to be added to the HE archives, but the idea is to fill each section up with the most relevant/unique information for each film and flesh out the pages with the more wildly available information (cast & crew, imdb-esque things etc) after. Enjoy.

Flashback Friday: Ernie Anderson Vs The Copy

Today's Flashback Friday features an audio recording of Paul Thomas Anderson's father, Ernie Anderson cussing and flubbing through a radio advertisement recording and to describe it any further would cheapen it's brillance. Go go go.

Ernie Anderson_vs_The Copy by CJ Wallis

More Details On ‘The Master,' Plus 1 Page Of The Script

Thanks to an eagle eyed reader we have a little bit of late Friday news for you all. In the new issue of Life & Style magazine of all places, there's an article called "Tom & Scientology Under Fire Again" that suggests that (former Frank T.J. Mackey) Cruise might in some way be responsible for the delays on 'The Master' project. The magazine spoke with a "Hollywood insider" (emphasizing those air quotes) who said, "Producers have been trying to make the film for a while but the project hasn't gotten off the ground. Some have questioned whether Tom and the church have tried to squash it."

They also imply that Jeremy Renner has dropped out of the project because he's co-starring with Cruise in the new Mission: Impossible film (and not because he just signed onto about 4 other franchises). Funny that it hasn't had the same effect on Philip Seymour Hoffman who co-starred with Cruise in the last M:I film. Hmmm.

Despite these baseless, gossipy musings, the magazine does go on to give a few details about the script (which they claim they got as an exclusive peek) as well as publish an actual page. For those who don't want to be spoiled in the slightest, you might want to stop reading now but I'd say spoils are pretty light here.

The movie features a contentious leader who's a science fiction novelist (Scientology founder L. Ron Hubbard had the same profession) and happens to be against traditional psychotherapy methods. So what's in the script that has the Church of Scientology quaking in it's boots? Drugging, secret missions, implants and claims of being able to cure leukemia in 36 hours are just a few taboo topics covered in the film. For now, the film is slated for a 2013 release.

Well, that's news to us. You can check out some more slight spoilers in the page of script below. (Thanks Bryan!)

As always, you can get the latest news on Cigarettes & Red Vines on Twitter and Facebook.

Exclusive: PT Anderson Shooting on 65mm, Without Elswit?

It seems as though one of the two projects we keep hearing rumblings about is getting substantially closer to coming to life. A photo, we unfortunately cannot publish, was sent to us showing PTA shooting tests and operating a 65mm camera used by Kubrick on 2001: A Space Odyssey on the backlot of a place we also cannot mention. Fear not, I have re-created the photo here to whet your appetite:

The e-mailer suggests that perhaps Paul was inspired by Nolan/Pfister's usage of the format on The Dark Knight & Inception. It's worth noting, though, that Nolan shot 65mm in a square, IMAX format whereas Kubrick kept the format at 2:35.1 to contain as much detail as possible for the optical effects. (thanks JZ) The last line of the e-mail also gloomily claims that whichever film Paul is shooting camera/format tests for will not be shot by Robert Elswit. More as it comes...

As always, you can get the latest news on Cigarettes & Red Vines on Twitter and Facebook.

Flashback Friday: PT Anderson Talks With Lars Von Trier

It has been a substantially long time since this article has re-appeared on our site. In their words:

Europe's celebrated director of The Idiots and Dancer in the Dark talks with the precociously talented director of Boogie Nights, Magnolia, and Punch-Drunk Love, on ways of seeing America, the egos of actors, and his controversial new film, Dogville.

Ok, let's cut to the chase: An interview between Lars von Trier and Paul Thomas Anderson is a cinephile's wet dream. As two of cinema's most distinctive directors, they have created some of the most searing movie experiences in recent memory. Despite their vastly different approach, both men, are united by a concern with the outsider in society: The awkward and misbegotten lonely hearts of Anderson's Magnolia and Punch-Drunk Love find their counterparts in the small-town American of von Trier's Dancer in the Dark and the upcoming Dogville.

Both bring a precise, focused discipline to their movies that leaves little to chance. Von Trier, in particular, has developed a reputation for his combative relationship with his actors, most notably with Bjork during the making of Dancer in the Dark, but his severe approach typically results in career-defining performances. Anderson, too, has wrung brilliance from his ensemble productions, especially from Philip Seymour Hoffman, who has appeared in all of his movies, and Adam Sandler, whose layered, tormented turn in Punch-Drunk Love was one of last year's great surprises.

The two directors convened at von Trier's film studio, Zentropa, on the outskirts of Copenhagen, to gossip about actors, trade views on America, and nominate some of their favorite movies.

Joaquin Phoenix In Talks For ‘The Master'

Potentially huge news breaking right now. According to Variety, Joaquin Phoenix is in talks to take the part once earmarked for Jeremy Renner in 'The Master.' This would also seem to imply that 'The Master' might be moving ahead first over "Inherent Vice." More on this as it develops...

Exclusive: Joaquin Phoenix, who hasn't acted since his "retirement" that precipitated "I'm Still Here," is in early talks to join Philip Seymour Hoffman in Paul Thomas Anderson's untitled religious drama.
Anderson is directing from his own original script, which chronicles a disaffected disciple's relationship with the founder of a new faith that closely mirrors Scientology.
Hoffman will play Lancaster Dodd, a charismatic intellectual known as The Master, while Phoenix would play Freddie Sutton, an alcholic drifter who becomes his right-hand man only to begin questioning his manipulative mentor.
Megan Ellison's Annapurna Pictures and Bill Pohlad's River Road Entertainment are looking to finance the period pic, which Universal was previously considering funding before having second thoughts about its mid-range budget.
Anderson and his longtime producing partner JoAnne Sellar will produce through the former's Ghoulardi Film Co., along with Ellison and Pohlad.
Phoenix has stayed out of the spotlight since starring in pal Casey Affleck's faux-documentary "I'm Still Here," a time-consuming vanity project that went on to gross only $698,000 worldwide. His last feature role was in James Gray's 2008 drama "Two Lovers."
Anderson is also developing an adaptation of Thomas Pynchon's detective novel "Inherent Vice," which is slated to star Robert Downey Jr.
Phoenix is repped by WME, while CAA reps Anderson and Ellison.

As always, you can get the latest news on Cigarettes & Red Vines on Twitter and Facebook.

Greg Mottola ♥'s ‘Magnolia'

As we wait for news on PTA's next project, (it has been especially quiet these last few months) we've seen more than a few people voicing their admiration for his work. (Absence makes the heart grow fonder, doesn't it?) The latest is Greg Mottola, director of "Paul," "Adventureland," "Superbad," "The Daytrippers" as well as episodes of "Arrested Development" and "Undeclared." He recently rewatched "Magnolia" and had this to say on his Twitter:

Watched 'Magnolia' on blu ray over the weekend and it was just as audacious, heartbreaking and lovely as the first time I saw it. Robert Elswit's cinematography is unbelievably great. [And] it looks incredible on blu-ray

Someone responded that they'd recently watched that and "Boogie Nights" recently on Blu-ray and he added that "the lighting is spectacular and perfect for both movies." He also admitted it was the first time he'd seen "Magnolia" since it was released over a decade ago.

"Magnolia" is still available on Blu-ray for just $10.49 at Amazon and Mottola's latest, "Paul" (no relation) is in theatres now.

As always, you can get the latest news on Cigarettes & Red Vines on Twitter and Facebook.

Name Drop Round-Up: Bill Nighy, Aaron Johnson, Justin Long

We recently mentioned Rotten Tomatoes "Five Favorite Films" feature and found PTA's films on a few more lists digging through the archives today. Happy Friday!

Bill Nighy ("Shaun of the Dead," "Love Actually") places "Punch-Drunk Love" among his Top 5:

"A relatively new film that went straight into my top five, I adore Punch Drunk Love, and I can almost recite it to you. It was on TV on a loop for a while, and it's like The Godfather, you hit that film on TV and you stay there. There aren't many, but you just stay there, thinking, 'I could keep flipping, but there's not actually going to be anything better than this,' and it doesn't matter that you've seen it sixteen times - you just dig it because it's such high quality.
I think Adam Sandler and Emily Watson are completely marvellous in it, and I didn't know anything about Adam Sandler, I've never seen any of his other films, so I've only seen him in this. I love Paul Thomas Anderson, and I think it's my favourite of his films. Possibly a controversial thing to say, as his other films are, perhaps, hipper, but I love the fact that it's this fucked up love story. I love it stylistically, the jokes, the visual attitude of it and those funky links that he does. I love the apparent arbitrariness of the plot, which hinges on upon the fact that you get free air-miles with a particular brand of chocolate pudding, and I love the way it dovetails at the end.
Everyone in it is magnificent, including Philip Seymour Hoffman, who's in The Boat that Rocked and who is beautiful in Punch Drunk Love. Adam Sandler gives one of the greatest light entertainment performances I've ever seen. It's a submerged light entertainment, it's so integrated, so authentic in terms of naturalism, that you surprise yourself by laughing, because it's so deadpan, so undercover in terms of comedy, and that's my favourite thing of all time, the highest level. For the first twenty minutes you think you're in art movie hell, but you're not, so don't panic."

Aaron Johnson ("Kick-Ass," "Nowhere Boy") says this about "Boogie Nights":

Paul Thomas Anderson -- what a fantastic director. These are all directors that I would love to work with, you know. I doubt any of them could give a sh*t. [laughs.] Boogie Nights. Pretty epic. It just captured that era so brilliantly. Mark Wahlberg, man -- great role. Julianne Moore, Philip Seymour Hoffman -- they just blow me away. I could watch it again and again. Great movie.

And Justin Long ("Drag Me To Hell," he's not a PC) also names 'Boogie' as one of his favorites:

I think a lot about Martin Scorsese and how heavily influenced Paul Thomas Anderson was by him. I feel like he learned so much from Scorsese in Boogie Nights, and so I feel like picking Boogie Nights is somewhat accounting for my Martin Scorsese love. But I'm also being very honest about a movie that I can watch over and over. Just the epic nature and the grandness of it, and some of the shots and the style of it, and the music -- my God, the way he uses music -- and that great shot where somebody jumps into the pool and you hear the muffled soundtrack. It's brilliant. I never get sick of watching it. And the acting is just some of my favorite actors at the top of their game. I love doing impressions and one of my earliest impressions of an actor was Philip Seymour Hoffman in that movie, when he's saying how much he loves the name and he's chewing on the pen.

As always, you can get the latest news on Cigarettes & Red Vines on Twitter and Facebook. Tell your friends.

Pixar's Lee Unkrich ♥'s ‘Punch-Drunk Love'

Pixar currently have the most consistent track record of any studio on the planet so you know they pretty much employ the best of the best. One of their in-house directors, Lee Unkrich ("Toy Story 3"), just did an impromptu Q&A session on Twitter yesterday and gave a little shout-out to Paul. When asked who his favorite contemporary director is he said "That's tough. But probably PT Anderson." And when someone followed up to ask which PTA film was his favorite he replied "Punch Drunk Love." We did a little digging and found that last year Rotten Tomatoes had asked him for his Top 5 favorite films and he said this about the film:

"Really, that just kind of encapsulates all of Paul Thomas Anderson's films for me. I'm inspired by the kinetic energy of his films, and the richness of the characters and the performances especially."

So there you have it, another admirable admirer. As you were. (via Yenni)

Luis Guzman Talks PTA, Getting Cast In ‘Boogie Nights'

Collider recently sat down with PTA regular Luis Guzman, promoting his new film "Arthur," and got a chance to ask him about his work with Paul. Nothing too revelatory here, just a few nice quotes from Maurice/Luis/Lance.

On how he ended up in "Boogie Nights"...

"He had sent me the script of "Boogie Nights" and it laid down on my desk for a while. One day I was cleaning my desk off and I found the script and said 'Maybe I should read this?' And I read it and was I blown away by it and I called him up. I said 'dude, are they gonna let you do this movie? It is so out there, it is so genuis.' His writing [is] really, really unbelievable, very passionate. And we hit it off, I showed up and then it was a hell of a ride doing "Boogie Nights." We had an incredible cast of people, we shot in some great locations and just the experience of being able to shoot with someone like Paul and seeing his vision come to life. It was really, really impressive."

On whether PTA has changed over the years...

"He's always been that passionate person. That's something that I respect about him, he gets what he wants as a director and I think that's really important, not to settle for less. Even if it means to go back and be shooting a certain scene, 3-4-5 times because you see it, it's just not there. So he's really passionate about those things and I've always admired that about him."

You can watch the entire interview over at Collider and as always, get the latest news on Cigarettes & Red Vines on Twitter and Facebook (including some pretty cool fan art we didn't post here on the site). Tell your friends.