PTA Suggested Kirsten Dunst To Lars Von Trier For ‘Melancholia'

A quick bit of Friday news for you all. As you may be aware, the Cannes Film Festival is underway in France right now and filmmakers/provacateur/friend of PTA, Lars Von Trier has gotten himself into a bit of trouble over some remarks he made during a press conference. But we're not here to talk about what is presumably a misunderstanding from the troublemaking auteur, we're here to mention that he got the idea for his latest leading lady from Paul! According to an interview with Von Trier for Indiewire...

So you ended up casting Kirsten Dunst, who gives a great performance. Had you seen her in something like “Spiderman”?
I have seen her in several things, but I had had a long discussion with Paul Thomas Anderson years ago about this project, and he suggested her. And she was available.

So there you have it. While we're not sure how the pair know each other, it's cool to see Paul recommend the actress even though the duo have yet to work together.
In other non-news, if you missed it at the end of our last post we rather cryptically suggested checking out John Huston's 1979 religious satire, "Wise Blood." While we can't confirm it as an official DVD pick, it seems there may be a few surface similarities in that film and what we know about 'The Master' project so far. So if you're into that kind of thing, the film is available on Hulu+ and Netflix from the Criterion Collection.
So, happy Friday. And as always, you can get the latest news on Cigarettes & Red Vines on Twitter and Facebook.

Flashback Friday: PT Anderson Talks With Lars Von Trier

It has been a substantially long time since this article has re-appeared on our site. In their words:

Europe's celebrated director of The Idiots and Dancer in the Dark talks with the precociously talented director of Boogie Nights, Magnolia, and Punch-Drunk Love, on ways of seeing America, the egos of actors, and his controversial new film, Dogville.

Ok, let's cut to the chase: An interview between Lars von Trier and Paul Thomas Anderson is a cinephile's wet dream. As two of cinema's most distinctive directors, they have created some of the most searing movie experiences in recent memory. Despite their vastly different approach, both men, are united by a concern with the outsider in society: The awkward and misbegotten lonely hearts of Anderson's Magnolia and Punch-Drunk Love find their counterparts in the small-town American of von Trier's Dancer in the Dark and the upcoming Dogville.

Both bring a precise, focused discipline to their movies that leaves little to chance. Von Trier, in particular, has developed a reputation for his combative relationship with his actors, most notably with Bjork during the making of Dancer in the Dark, but his severe approach typically results in career-defining performances. Anderson, too, has wrung brilliance from his ensemble productions, especially from Philip Seymour Hoffman, who has appeared in all of his movies, and Adam Sandler, whose layered, tormented turn in Punch-Drunk Love was one of last year's great surprises.

The two directors convened at von Trier's film studio, Zentropa, on the outskirts of Copenhagen, to gossip about actors, trade views on America, and nominate some of their favorite movies.