August 12, 1999

Archived update from Cigarettes & Coffee, run by Greg Mariotti & CJ Wallis from 1999-2005

Magnolia Test Screening Down Under?

Editors Note: I received this email from a reader who had the opportunity to see a rough cut of Magnolia in Australia. There are very minor spoilers so read with caution!

I live in Sydney Australia, and would you believe I saw "Magnolia" a week ago! I was handed a flier in the street which said "You and a guest are invited to the most anticipated film of the year 2000". It didn't say anything else other than where it was on and that it ran for 3 hours. Out of curiosity more than anything else I went along. The cinema was packed, and no one new what they were about to see. Finally an American guy came out and said that he wasn't going to say anything about the film except that it wasn't quite finished, and that we were the first audience in the world to see it.

I had no idea what I was about to see or why it was being shown in Australia. Within about 20 minutes of it starting, Tom Cruise appeared. Then one by one, heaps of the cast of Boogie Nights. Then it hit me. Tom Cruise was in the audience. He had to be.  He's in Sydney at the moment doing Mission Impossible 2. The back row of the cinema was reserved with security sitting on the aisles. The back row was empty when the credits rolled (obviously to get Tom out in time) and why else would they show an unfinished version of a new film in Sydney? Obviously Tom wanted to see it and see it with an audience reaction.

So, what was the film like? I thought it was brilliant. It ran for 3 hours 25 minutes and wasn't boring for a second. The performances are uniformly sensational (Tom Cruise at his best ever). It's quite bizarre at times. The soundtrack is great by the way. It's just a superb movie in so many ways.

At the end of the movie the American guy came back into the theatre. There were only about five people left in there. I asked him what his connection with the movie was. He said, "Oh I wrote and directed it". I couldn't believe it. Here was the genius right in front of me. I shook his hand and told him he was brilliant. He asked us whether the film was too long. I said only by a bit, and he said he was going to cut it by about 20 minutes. It would be perfect at that length. I said I loved the music and he said it was all going to stay in. I said, "Even Revolution 9 (Beatles Song)?". He laughed and said, "No, all except that one. I can't afford that one". Damn that Michael Jackson, hey. Anyway, as he was leaving I got him to sign a popcorn container for me. I was pretty chuffed about that. He was THE nicest guy. Very humble, incredibly friendly.

August 9, 1999

Archived update from Cigarettes & Coffee, run by Greg Mariotti & CJ Wallis from 1999-2005

Hard Eight DVD Officially Announced!!!!!!!

Columbia TriStar has announced the October 5th release of HARD EIGHT. HARD EIGHT will feature audio commentaries, a deleted scenes, DD surround and dual aspect ratios including 16x9 enhanced widescreen. 

courtesy of The Big Picture

Also set for release on October 5 is a special edition of Hard Eight, a gambling drama in the realms of Reno starring Samuel L. Jackson. The release will contain two separate commentary tracks with the director and various actors and crew members. A deleted scene called "The Kiss" will be part of the release and you will be seeing the Sundance Institute Filmmaker Lab Scenes "The Coffee Shop", "Jimmy Threatens Sydney" and "The Phone Call" on the disc. "Hard Eight" comes with a pan & scan and anamorphic widescreen transfer and a Dolby surround soundtrack

July 31, 1999

Archived update from Cigarettes & Coffee, run by Greg Mariotti & CJ Wallis from 1999-2005

Hard Eight DVD

Here is the latest news on the Columbia/Tri-Star release of Paul's first film Hard Eight. 

It's latest scheduled street date (not confirmed) is October 5, 1999.

Paul has recorded two commentary tracks but according to an inside source one track was so "inflammatory" that it may be edited or left off altogether.

It will include a trailer for the film that was cut by Paul himself.

No word on if it will be retitled back to Sydney or stay as Hard Eight.

More info as soon as it develops with a review of the DVD as soon as I can get my hands on it.

July 23, 1999

Archived update from Cigarettes & Coffee, run by Greg Mariotti & CJ Wallis from 1999-2005

PT on the Set of Kubrick's Eyes Wide Shut

Because of the nature of the material--and also because it's how Kubrick always worked--filming on Eyes was an intensely intimate affair. Kubrick himself usually manned the camera, allowing only a handful of crew on the set. One outsider permitted to watch the proceedings was 29-year-old Boogie Nights director Paul Thomas Anderson (Cruise, who'll be appearing in Anderson's follow-up, Magnolia, smuggled him past security). "Kubrick had a really small crew," recalls Anderson. "I asked him, 'Do you always work with so few people?' He gave me this look and said, 'Why? How many people do you need?' I felt like such a Hollywood a--hole."

Aimee Mann label troubles/Magnolia music

Among the most publicized dropees has been ex-'Til Tuesday singer Aimee Mann, who's become the martyred poster child for axed artists. Last January, the critically admired Geffen singer played her third solo album to her new bosses. (The record includes tracks that may be featured in Paul Thomas Anderson's December movie, Magnolia.) "At first they told us they liked [it]," says Mann's manager, Michael Hausman. "But later we found out they didn't like it so much. I met with Jimmy [Iovine, former Interscope cohead-turned-Interscope Geffen A&M cochair], and he was like, 'You'll have to excuse me, it's so crazy here--we're merging bathrooms.' I've got an artist who spent two years making a record, and this guy's telling me about bathrooms." In early May, Mann received official word she'd been let go. Adding insult to penury, to take her unreleased record elsewhere, she must first buy back the master tapes from UMG, which could run into several hundred thousand dollars. (UMG would not comment on the status of these negotiations.)

July 19, 1999

Archived update from Cigarettes & Coffee, run by Greg Mariotti & CJ Wallis from 1999-2005

I received an e-mail today letting me know that a title for the film used during shooting was The Rose

July 18, 1999

Archived update from Cigarettes & Coffee, run by Greg Mariotti & CJ Wallis from 1999-2005

Paul has final cut

Ideally, the studio and director have nailed down the details before filming begins. New Line production's president and COO, Michael De Luca, has given Boogie Nights director Paul Thomas Anderson final cut on his next film, Magnolia; he says that it is vital to have as many meetings as possible before the deal with the filmmaker is even signed. "It's something in general we'd rather not do, but after Boogie Nights it became part of Paul's deal," De Luca says. "But Paul and I are so close it's a trust issue." (De Luca also supported the two and a half hour running time of Boogie Nights and says he only regrets that the movie wasn't longer "with a disco intermission.")

July 15, 1999

Archived update from Cigarettes & Coffee, run by Greg Mariotti & CJ Wallis from 1999-2005

John C Reilly and a little tidbit on Magnolia

REILLY TAKES A “STORM”: Emerging as the perfect guy to play a male buddy, John C. Reilly will join George Clooney and Mark Wahlberg in the Warner Bros. pic “A Perfect Storm,” playing an experienced fisherman who joins the other two in the ill-fated voyage of the Andrea Gail. Film, to be directed by Wolfgang Petersen, is based on the bestselling nonfiction account by Sebastian Junger.

It’s Reilly’s second tour with Wahlberg after playing his porn star buddy in “Boogie Nights,” a film that launched Reilly into playing Kevin Costner’s best buddy and catcher in “For the Love of the Game,” the Beacon/Universal drama about a pitcher’s perfect game that will open Sept. 17.

Reilly gets a chance to be the star this Christmas in New Line’s “Magnolia.” He’s the central figure playing a police officer in a star-studded ensemble directed by Paul Thomas Anderson, for whom Reilly starred in “Hard Eight” and “Boogie Nights.”

February 1999

Archived update from Cigarettes & Coffee, run by Greg Mariotti & CJ Wallis from 1999-2005

Paul - Y2K and beyond!

Paul listed was listed as one of the 20 talents we'll still be talking in the Year 2020.

"This auteur's skill with the quill - his control of interlaced story lines, his creation of complex characters, and his attraction to society's underbelly - aligns him more with Martin Scorsese, Robert Altman, and even Billy Wilder than with the would-be Tarantino crowd.

Interview: Roger Ebert Q&A

Roger Ebert's Movie Yearbook
1999


Chicago, October 1997 - Paul Thomas Anderson has made one of the best films of 1997, and at age twenty-seven is getting the kind of attention no young director has had since Quentin Tarantino erupted. His Boogie Nights, which follows a cast of colorful characters through six eventful years in the adult film industry, is the year's best-reviewed film - a hit at the Toronto and New York Film Festivals.

Although the film's subject matter is touchy, Boogie Nights is not a sex film; porno supplies the backdrop to a traditionally structured Hollywood story about an unknown kid (Mark Wahlberg) who is discovered by a director (Burt Reynolds), encouraged by an older actress (Julianne Moore), and becomes a star - until his ego and drugs bring everything crashing down.

Apart from anything else, the film is about filmmaking. It captures the familial atmosphere of a film set as well as any film since Truffaut's Day for Night. The focus is not on sex but on loneliness and desperation, leavened with a lot of humor, some of it dark, some of it lighthearted.

Boogie Nights is Anderson's second feature. When I saw the first one in 1996 at the Cannes Film Festival, I felt I was watching the work of a born filmmaker. Hard Eight starred John C. Reilly and Philip Baker Hall in the story of a relationship between an old gambler who shows the ropes in Nevada to a broke kid. As characters played by Gwyneth Paltrow and Samuel L. Jackson get involved, the story reveals hidden connections. It is a riveting debut film.