CAMERA hangs with Dirk and Jessie St. Vincent.
JESSIE ST. VINCENT
Because sometimes I feel like an
outsider to the whole thing.
Y'know...I see you and Amber and
your relationship and I dunno --
DIRK
No, no, Jessie. You shouldn't feel
like an outsider.
JESSIE ST. VINCENT
I know my tits aren't as big and I
know my pussy isn't as tight as all
the other girls in this industry but
I still feel like I've got something
that works -- I can paint, too.
DIRK
Yes. Yes. Yes.
JESSIE ST. VINCENT
I dunno. I was just never really
secure. When I was a kid, I was
never really secure with myself that
much -- I guess that's why I try and
act like I'm all care-free and
everything.
DIRK
I know what you mean, sometimes I'm
like "What am I doing?" "What the
hell is wrong with me?" Y'know?
JESSIE ST. VINCENT
I know, I know.
DIRK
But then...I think...
JESSIE ST. VINCENT
-- it's just fun. It's great.
DIRK
It is. It's the best. I mean, look:
I couldn't be happier than where I
am today, right now, at this moment.
JESSIE ST. VINCENT
You are so fucking awesome, Dirk.
DIRK
Who says you don't have a tight pussy?
JESSIE ST. VINCENT
I don't know. No one, I guess.
CAMERA hangs with Scotty J. and Amber. He re-counts;
SCOTTY J.
So I was all, "What's your problem?"
And he was all, "Nothing." So I was
like...really...y'know...I was fuckin'
pissed, Amber. So then I was all,
like, "What are you gonna do?"
Y'know? And he was all, like acting
tough, y'know, with his friends around
and stuff. So I was just
all...like..."Forget it." And I walked
away.
Amber's attention moves to Dirk talking with Jessie St.
Vincent.
AMBER
Excuse me, Scotty.
CUT TO:
INT. AMBER'S BEDROOM - NIGHT
Amber opens up her nightstand and takes out a vile of coke.
She sets up a few lines of coke and snorts them. HOLD.
She sets out four more fat ones and snorts them back. QUICK
ZOOM INTO A CU OF AMBER.
Monday, October 01, 2007
Deleted Scene: Boogie Nights, Party Stuff
Stimulating conversations with Dirk & Jessie/Amber & Scotty J.
Deleted Scene: Boogie Nights, Montage
A series of scenes after the celebration/dance sequence.
INT. COLONEL'S HOUSE - NIGHT
The inside of the Colonel's house is like Disneyland and a
Dungeon Pit. Young girls, cocaine, whips, a miniature Merry-
Go-Round with naked girls riding, etc.
The Colonel wears a MILITARY UNIFORM as he chases young girls
and high school aged boys, who are wearing soccer uniforms.
CUT TO:
INT. LITTLE BILL'S HOUSE - NIGHT
Little Bill sleeps on the couch. In the bedroom, Little
Bill's Wife is once again getting fucked by some big dude.
Moments later, another fellow appears in the FRAME and gets
into the bed --
CUT TO:
INT. JACK'S HOUSE/AMBER'S BEDROOM - NIGHT
Amber is on the phone, trying to track down her son. Dirk
is sitting with her, holding her hand.
AMBER
Please let me talk to him, Tom.
Please. I just want to say hello
and that's all - that's it. Yes.
I'm not. I'm completely sober. I'm
not -- Tom -- Tom -- Tom --
Dial tone from the phone, she hangs up, starts to cry.
AMBER (CONT'D)
I don't know what to do now.
CUT TO:
INT. JACK'S LIVING ROOM - DAY
CAMERA roams around. This is a Sunday B-B-Q.
Rollergirl and Amber are playing cards and talking about the
importance of education and the future. Rollergirl talks
about getting a tattoo. Amber says, "Don't get one."
Buck is talking with Dirk about Karate and what it means in
the ancient history of, "Japan or China...I forget." Scotty
J comes over and asks if he can sit down and listen to their
conversation.
Little Bill is arguing with Kurt Longjohn about film history,
more specifically, "2001 vs. Star Wars" Kurt asks Little
Bill where is wife is and Little Bill says, "She's at
home...why?"
Maurice talks Rollergirl into taking her clothes off and
posing for a picture with Maurice.
CUT TO:
INT. HOT TRAXX NIGHTCLUB/BACKROOM - DAY
Maurice slips the PHOTOGRAPH and a letter into an envelope
and seals it up. THE VO is in Spanish, with SUB-TITLES.
MAURICE
Dear brothers: I'm send you a picture --
CUT TO:
INT. PUERTO RICO - STREET - DAY
Maurice's two BROTHERS stand at a MAILBOX. They rip open
the letter and check out the picture.
MAURICE (V.O.)
-- this is my girlfriend. I had sex
with her last night. Isn't she hot?
I get chicks like this every night.
CUT TO:
INT. VINCE'S GYM - DAY
Reed and Dirk are working out. They smile, laugh, then become
deadly serious as they get into their workout.
CUT TO:
INT. KARATE STUDIO - DAY
Buck and Reed, dressed in Karate-gear, are taking lessons.
CUT TO:
INT. DEPARTMENT STORE - DAY
CAMERA TRACKS ALONG A ROW OF SUITS. Dirk picks one out,
tries it on and pays for it in cash.
CUT TO:
INT. HOT TRAXX NIGHTCLUB - NIGHT
CAMERA BEGINS ON A TRAY OF CLAMS ON THE HALF SHELL, PULLS
BACK TO REVEAL JACK, eating them and talking to the Colonel
about upcoming film projects. The Colonel's new Lady Friend
is doing coke with Amber.
ANGLE, BECKY
She's at the bar, talking with some FELLA. Ronnie appears
in the background and watches her --
ANGLE, REED and ROLLERGIRL
They're dancing near the DJ booth. Rollergirl requests some
songs from the MIDGET DJ.
ANGLE, DIRK
He's wearing his new suit and dancing with three or four
girls who we've never seen before. They hang all over him.
Suddenly, there's a CRASH OC.
BECKY
THE FUCK OFF ME.
Dirk turns his head and sees -- Becky has been knocked down
and Ronnie is standing above here. The FELLA she was talking
to is lying flat on his face in a pool of blood.
CAMERA follows Dirk as he runs over in a flash -- he JUMPS
UP -- does a FLYING KARATE KICK -- and knocks Ronnie back
and down --
Reed comes over and grabs Ronnie. Maurice is there in a
flash with some bouncers who take Ronnie away and out of the
club. Dirk helps Becky up and hugs her.
DIRK
You okay, sexy?
BECKY
Thank you, Dirk.
DIRK
Did you see that Karate Kick, I did?
BECKY
Yeah.
Dirk turns his head, calls across the club to Buck.
DIRK
Buck! Buck! Buck! Did you see
that flying Kick?
BUCK
That was awesome Dirk!
CUT TO:
EXT. 42ND STREET CINEMA - NIGHT
CAMERA DOES A SLOW ZOOM into the MARQUEE. It reads: "BACK
DOOR" A Jack Horner Film. Amber Waves, Dirk Diggler, Becky
Barnett.
CUT TO:
A CLIP ROM THE FILM, "BACK DOOR."
Dirk is getting it on with an actress named KC SUNSHINE. In
the scene from the film, he's dressed as a burglar.
CUT TO:
EXT. JACK'S BACK YARD - DAY
Film crew around, Kurt and Rocky lighting the shot while
Jack, Dirk, Reed and Becky choreograph the sex scene. Amber
walks from the house, interrupts and says:
AMBER
Looks like we're going to Vegas.
Everyone cheers and congratulates and smiles. END MUSIC.
Deleted Scene: Boogie Nights, Black Beauty
A scene that would have come directly after the girl overdoses at Jack's party.
CAMERA follows them into the hallway. Becky is standing
there, waiting for the bathroom.
JACK
Becky, dear?
BECKY
Yes.
JACK
You remember the Colonel?
BECKY
Yes. Hi. How are you?
COLONEL
Wonderful.
JACK
Becky's gonna be in the picture we're
shooting tomorrow.
COLONEL
Great. I love seeing a Black Beauty
in there.
BECKY
That's me.
JACK
Thank you, Becky.
Jack and the Colonel continue walking, CAMERA follows them.
COLONEL
She's great.
JACK
A professional.
COLONEL
How old is she?
JACK
Twenty-two...or three...I think.
COLONEL
Uh-huh.
Deleted Scene: Boogie Nights, Bill & His Wife #1
A brief scene showing Bill & his wife showing up at Jack's pool party.
ANGLE, LITTLE BILL AND HIS WIFE
They get out of his Station Wagon and enter the party from
the driveway. She's dressed up. He's dressed down.
LITTLE BILL
Just don't embarrass me, alright?
WIFE
Fuck you, Bill.
LITTLE BILL
I work with these people, alright?
These are my co-workers, so just --
WIFE
Bite it.
LITTLE BILL
Don't make me do something?
WIFE
Ohhhh....I'm so scared.
She moves off and away. Rollergirl passes and takes a
SNAPSHOT of Little Bill.
CU. THE POLAROID - DEVELOPED
Little Bill in a sort of angry-confused-surprised face.
ROLLERGIRL
What's wrong Little Bill?
LITTLE BILL
Nothing. How are you Rollergirl?
ROLLERGIRL
I'm fine.
LITTLE BILL
Is Jack around?
ROLLERGIRL
He's in the house.
Little Bill leave. CAMERA follows Rollergirl around as she
mingles and snaps more Polaroids.
Deleted Scene: Boogie Nights, Scuba Sluts
A longer scene where Eddie goes to Jack's house for the first time.
Includes a hilarious scene where Jack tells the story of the "fin boy".
This story was originally ad libbed by Robert Ridgely in the outtakes of
PTA's short, The Dirk Diggler Story.
INT. JACK'S HOUSE/LIVING ROOM - LAUREL CANYON - NIGHT CAMERA DOES A 360 AROUND THE MAIN PART OF THE HOUSE, LANDS THE ANGLE WITH DIRK. He's sitting on a couch, hands folded across his lap. HOLD WITH HIM. OC we hear Jack, Rollergirl and Amber moving about and talking. JACK (OC) I knew a guy once...I swear to you this a true story...this kid...he was about twenty or so when I met him and I invited him up to the house. "Hey, I'm havin' a party, come by..." So on and so forth, right? ROLLERGIRL (OC) ...you're out of limes, Jack. JACK (OC) Look in the studio fridge...so this young lad comes over, up to the house, rips his shirt off and what do I see? A fin. A fin on his back like a fish. I mean, he's got a fucking fin on his back like a fish...he goes straight for the water. AMBER (OC) I don't believe this story. JACK (OC) Believe it, honey. DIRK How big was the fin? JACK (OC) Big....it was like...it was a FIN. AMBER (OC) On his back like a fish. JACK (OC) That's right. I was gonna do a whole underwater series of films with him. "Scuba Sluts," was the name. Funny, right? DIRK Yeah. Is that true? AMBER (OC) I'm going to bed. JACK (OC) Good night, honey. AMBER (OC) Good night, Jackie. Don't stay up too late. Good night, Eddie. I'm glad you came by. She leans into FRAME and gives Dirk a good-night kiss. AMBER (CONT'D) You're great. DIRK Thank you. CAMERA PANS WITH AMBER AND LEADS TO AN ANGLE WITH JACK. HOLD. JACK She's the best, Eddie. A mother. A real and wonderful mother to all those who need love. DIRK (OC) She's really nice. JACK So what do you think...I think we ought to be in business together. You don't have a fin on your back, do you? DIRK (OC) No. JACK What do you think of Rollergirl? DIRK (OC) She's...she's really great... JACK Would you like to get it on with her? DIRK (OC) Have sex? JACK Yeah. DIRK (OC) Yeah. I'd love to. I mean, yes. She's...she's really foxy. JACK Bet your ass she is -- Rollergirl enters back into the house. CAMERA SWINGS AROUND TO HER. ROLLERGIRL You're officially out of limes, Jack. JACK I'll get you some more tomorrow. Come over here a minute. Sit next to Eddie on the couch there. ROLLERGIRL Here We Go! Are We Gonna Fuck? JACK Yes you are. ROLLERGIRL Oh, wait, wait, wait, then. She rolls over to the Hi-If System and picks up a record. ANGLE, JACK AND DIRK. TWO SHOT, SPLIT DIOPTER. They watch her. Jack in F.G. Dirk in B.G. JACK (WATCHING ROLLERGIRL) Go ahead and get undressed, Eddie. ANGLE, ROLLERGIRL. She picks a song. Leo Sayer, "You Make Me Feel Like Dancing." She rolls over to Dirk and in one swift motion she rips her clothes off. By the time she hits the couch, she's naked, minus her rollerskates. ROLLERGIRL You ready? DIRK Are you? ROLLERGIRL Ohhh-yeah. They kiss. They lean back on the couch. Dirk stops a moment. DIRK Are you gonna take your skates off? ROLLERGIRL I don't take my skates off. DIRK Okay. ROLLERGIRL Don't fucking come in me. DIRK I won't. JACK Don't come in her, Eddie. I want you to pull it out and jack off, make sure you aim it towards her face. ROLLERGIRL Fuck you, Jack. JACK Towards her tits, then. ANGLE, JACK. CAMERA DOES A SLOW ZOOM INTO A CU. OC SOUNDS OF DIRK AND ROLLERGIRL DOING IT. Jack watches in AMAZEMENT. HOLD.
Deleted Scene: Boogie Nights, John Holmes
A brief extension of Eddie & Sheryl Lynn where she compares him to John Holmes.
He continues jumping up and down. Sheryl Lynn's face turns
flat.
DIRK
What's wrong?
SHERYL LYNN
Do you know that guy John Holmes?
DIRK
Yeah...
SHERYL LYNN
I thought his cock was big, but your
cock is bigger, Eddie.
DIRK
When have you seen John Holmes?
SHERYL LYNN
I've seen some movies, Eddie.
DIRK
...and you think mine's bigger?
SHERYL LYNN
Yes I do.
Dirk stops jumping, looks down at his penis. BEAT.
Deleted Scene: Boogie Nights, The Next Morning
INT. TORRANCE CAR WASH - MORNING (LATER)
Dirk is working the end of the line at the car wash, cleaning
the inside of a Pinto. Dirk's eye catches something.
DIRK'S POV, ACROSS THE LOT
A mint-condition Orange 1976 Corvette. It DRIVES past.
ANGLE, DIRK
CAMERA DOLLIES INTO A CU. HOLD.
DIRK'S POV, THE CORVETTE.
In a FLASH, Dirk sees himself BEHIND THE WHEEL. He's driving
the Corvette, wearing SUNGLASSES and a WHITE SHIRT.
ANGLE, DIRK.
CAMERA DOLLIES BACK FROM CU. Dirk blinks his eyes. HOLD.
CUT TO:
INT. JACK'S HOUSE/KITCHEN - LATE MORNING
CAMERA DOES A SLOW DOLLY INTO PROFILE OF JACK. He's sitting
in front of a typewriter, smoking a cgi, drinking coffee and
typing. Amber enters, says hello and makes herself a cup of
coffee.
CUT TO:
INT. BECKY'S APARTMENT - DAY
Becky's one bedroom place in the valley. She's asleep in
her single bed, Reed is asleep on the floor. They both awake,
lay there;
REED
You awake?
BECKY
Yeah.
REED
What time is it?
BECKY
12:45
REED
I had a dream.
BECKY
Yeah.
REED
...I forgot it, though....
BEAT.
REED (CONT'D)
I remember my dream --
(beat, then:)
No...I forget. Wait -- No...I
think...Nope. I forgot it. I hate
that.
BECKY
I had a dream I fell in love with a
really gorgeous guy. We fucked doggy
style in the bathroom at Tail 'O The
Cock. Weird, huh?
Suddenly, there's a banging on the front door of the
apartment.
ANGRY MALE VOICE
BECKY! BECKY! OPEN UP, I KNOW YOU'RE
IN THERE -- BECKY!
Reed looks to Becky, whispers;
REED
Is that Ronnie?
BECKY
Yeah, Shhh. He'll go away --
RONNIE
C'MON BECKY, BECKY, PLEASE OPEN THE
DOOR -- I JUST - I WANNA TALK TO YOU --
There's the sound CO that resembles someone falling down,
swearing, getting in a car and peeling off.
BECKY
I keep telling him we broke up. He
doesn't listen.
Deleted Scene: Boogie Nights, Reed's Nova
INT. REED'S NOVA - MOVING - NIGHT
Reed driving with Buck and Becky.
BUCK
Let's get some food. I'm hungry.
BECKY
Me too.
REED
I'll drop you off.
BUCK
Whatta you mean, drop off?
REED
I was gonna go workout.
BECKY
It's three in the morning, Reed.
REED
I need it. I haven't done my legs
in two days and we're shooting --
BUCK
Do it in the morning, cause I wanna
just eat and get home. I got work
in the morning and I gotta get some
rest.
REED
I need it now, I'm in the mood to do
it now. If you're hungry you can
eat at the gym. Hey, can I sleep at
your place, Becky?
BECKY
If you want.
BUCK
Wait -- are you going home or going
to work out?
EXT. VENTURA BLVD. - NIGHT - THAT MOMENT
Reed's Nova flies past CAMERA WHICH PANS TO THE SIDEWALK;
Rollergirl is rolling down the street. She passes CAMERA.
HOLD on Ventura Blvd. The sun is about to come up....
Deleted Scene: Boogie Nights, Jack Meets Eddie
INT. BACKROOM/KITCHEN - MOMENTS LATER
Dirk is washing dishes. A few others around. Jack enters
and approaches. MUFFLED SOUNDS FROM THE SONG OUT FRONT.
HOLD WIDE ANGLE TWO SHOT FOR WHOLE SEQUENCE.
JACK
Hey.
DIRK
Hey.
JACK
Do you know where, uh...? I'm looking
for the bathroom.
DIRK
You're way the wrong direction. You
gotta go back out and to the left -
JACK
How old are you?
DIRK
I got a work permit. I got the --
JACK
No, no, no. Not like that.
DIRK
I'm...old enough.
JACK
Jesus. Where you from? You work
here? Wait with the answer -- how
long you worked here?
DIRK
A month.
JACK
I haven't been here in a month.
That's why I don't know you. I would
know you if you'd been here more
than that right?
DIRK
I guess so.
JACK
Maurice give you a job here?
DIRK
Yeah.
JACK
Why you wanna work here? What do
you make?
DIRK
I'm not supposed to say how much I
make.
JACK
Maurice is a friend of mine.
DIRK
You shouldn't...Well...you'll have
to ask him...
JACK
You live around here? Canoga?
Reseda?
DIRK
Um, no...I'm from...do you know where
Torrance is?
JACK
How do you get here?
DIRK
I take the bus.
JACK
What do you wanna do?
DIRK
...what...?
JACK
You take the bus all the way from
Torrance to work as a busboy in a
Van Nuys nightclub. Why don't you
work in Torrance?
DIRK
I don't want to.
JACK
Why not?
Dirk doesn't answer.
JACK (CONT'D)
Shit, I'm asking so many personal
questions I hope you don't mind. I
get going, I get going and I'm
really...I like to get to the point.
DIRK
Oh yeah?
JACK
Listen: Maybe you think, what?
(MORE)
JACK (CONT'D)
You think I'm some old queen trying
to get in your pants or something
like that --? but that's not it.
And I'm trying to figure out a way
to tell you that without it sounding
like a load of crappy poo-poo. Y'see:
You got so many shmoes out there
that ain't the real thing that when
a guy like me with something
legitimate to offer, it's a pain in
the ass for me to try and convince
you of what I might have --
DIRK
You got ten bucks?
JACK
Ten bucks? Yeah, I got ten bucks.
DIRK
You wanna watch me jack-off, that's
cool if you got ten bucks.
JACK
Guys come in, ask you to jack off
for them?
DIRK
Sometimes.
JACK
No. No. You and Me...? We'll Save
It. Ten bucks, huh?
DIRK
It's money.
JACK
You've done it tonight -- yet?
DIRK
Couple times.
JACK
And you can do it again?
DIRK
If you want...if you got ten bucks.
JACK
Jesus Christ.
BEAT. Jack looks Dirk over head to toe.
JACK (CONT'D)
You're a dancer aren't you?
DIRK
...I like to dance...
JACK
No...you're a dancer...right?
DIRK
Yeah. I'm a dancer
JACK
Everyone's a dancer...y'know? Hey:
Everyone's an actor, something,
something: Question is: What do you
want, I mean: I mean this: What Do
You Want From This Life?
HOLD, THEN:
DIRK
I'm already the best...now I want
everyone else to know it.
JACK
I'm gonna tell you something straight
out and I'm not gonna hold back and
I just want you to hang out with me
a minute, 'kay?
DIRK
I'm supposed to be working.
JACK
Maurice is my friend, don't worry
about that, you let me worry about
Maurice -- because that's how it's
gonna go from now...me worrying, you
just doing what I know you do well.
DIRK
Oh yeah?
JACK
Yeah.
DIRK
So...?
JACK
So you got a face on you like I've
never seen in my life. You were
chiselled from precious metals, my
friend.
DIRK
Yeah, right.
JACK
I'm jack.
DIRK
Hi.
JACK
What's your name?
DIRK
I'm Eddie Adams. From Torrance.
JACK
...Eddie Adams...from Torrance. I'm
a filmmaker. Jack Horner.
DIRK
Really?
JACK
I make adult films.
DIRK
Like what?
JACK
Like what, like what films have I
made?
DIRK
Yeah.
JACK
All those ones, the ones with the
names: "Amanda's Ride" "Inside Amber,"
You've heard of them...or?
DIRK
I know who you are.
JACK
You do?
DIRK
I read about you in a magazine.
JACK
So you know me, you know now maybe
that I'm not full of doggy-doo-doo.
Dirk laughs, Jack laughs;
DIRK
Yeah.
JACK
Why don't you come back to my table,
you wanna have a drink?
DIRK
I'm working...
JACK
Forget that. Hey. Put that dish
down.
DIRK
I'm supposed to be working --
JACK
--That's the last dish you ever wash
in your life --
DIRK
I need money, I have to work.
JACK
You need money...you gotta pay your
rent?
DIRK
...No. I mean, yeah, I need money.
But I don't pay rent. I live at
home.
JACK
You need some spending
money...something?
DIRK
I don't know...
JACK
Hey.
DIRK
What?
JACK
Tell me how old you are.
DIRK
I'm seventeen.
JACK
I wanna tell you something right now
and I want you to listen close: I'm
a good man. You're a seventeen year
old piece of gold. You treat me
well and I'm gonna treat you well.
I've been doin' this for twenty three
years and I gotta pretty good clue
as to what works and what
doesn't...you're a pure piece of
gold, I told you that, I'm tellin'
you that again, because you're young
and that's what you need.
DIRK
I can't do that to Maurice.
JACK
You're a good worker, yeah?
DIRK
I'm sorry. I do know you. I know
you're not full of --
JACK
-- doggy-do-do
DIRK
...yeah. Yeah. But I just can't
walk out on Maurice.
JACK
It seems to me: Beneath those jeans
there's something wonderful just
waiting to get out.
Jack leaves. HOLD WITH DIRK.
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