Fiona Apple's first album in 7 years -- The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do -- dropped this past week and we have had it on pretty constant rotation here at Cigs & Vines. With a sudden flurry of attention comes a deluge of interviews and some of them are really great too, like this one. If you follow us on Twitter, you already know Fiona has dropped a few mentions of Paul here and there, saying to Interview Magazine...
"I'm actually very goofy. I hate this feeling like I'm name-dropping, but Paul Thomas Anderson [the director and Apple's ex-boyfriend] told me that two of the funniest people he knows are me and Daniel Day-Lewis. He was like, "You're both hilarious, but everybody thinks you're awful."And from the aforementioned NYMag profile...
I assumed she wanted to talk about her album; she said she didn’t care. I told her I thought it was her best work; she said it was funny because she’d run into her ex-boyfriend, the filmmaker Paul Thomas Anderson, and “he remembers me as somebody’s who’s been down on themselves from years ago,” and when he’d asked about the album, she told him she felt “really, really happy, I felt like I can die now, I’ve done what I want, this is me.”So it appears the formal couple are still very friendly, which is good news for anyone who adored Paul's string of music videos for her back in the late 90s and hoped that one day he might return to the short format. According to an interview with Fiona in V Magazine, that may still happen.
“I have this weird thing where I’m friends with my ex-boyfriends, and I really care about them. I care about their lives with their girlfriends. I feel like maybe an annoying mother or something.” Among these exes are illusionist David Blaine, in whose office/apartment Apple crashes when in New York, filmmaker Paul Thomas Anderson, who started to make a video for Apple’s new song “Hot Knife” before having to work on a movie, and most notably writer Jonathan Ames, the subject of one of the album’s sweeter tracks, “Jonathan.”




